Business Data & Benchmarks · United States

Talent Agency and Management Company Revenue Benchmark

A talent agency or management company represents actors, musicians, athletes, models, speakers and other public figures, negotiating bookings, contracts and endorsements and earning a percentage of what its clients are paid. Client rosters, industry relationships and licensing rules that vary by state and by field shape a business whose revenue rises and falls with its clients' careers.

NAICS 711410, 2022 editionUnited States data by defaultSources and dates shown

Average Talent Agency Revenue per Year 2022 Economic Census

The 2022 Economic Census counts every agency and management company representing artists, athletes, entertainers and public figures that has paid employees, and publishes their combined annual receipts, which are the commissions and fees earned rather than the earnings of the clients represented. Dividing that total by the number of agencies gives the average annual revenue per employer establishment shown below.

≈$2,197,000 /year

Average annual gross revenue per employer establishment

4,921

Employer establishments in the United States, 2022

as published $10.8 billion

Combined annual gross revenue of employer establishments, 2022

How this is calculated: about $10.8 billion in combined annual receipts divided by 4,921 employer establishments works out to an average annual revenue of $2,197,000 per employer establishment.

Scope: Agents and Managers for Artists, Athletes, Entertainers, and Other Public Figures, NAICS 711410. The Census category is Agents and Managers for Artists, Athletes, Entertainers, and Other Public Figures, which counts talent agencies, sports agents and personal managers. Event promoters and modeling schools are counted in separate categories. Nothing outside that code is counted on this page.

Source US Census Bureau, 2022 Economic Census, Summary Statistics (ECNBASIC): ESTAB, RCPTOT and PAYANN by NAICS · Vintage 2022 Economic Census · Calculation BusinessNES · Accessed September 2026

Employer Establishments at Year Five Endpoint only

Agents and Managers for Artists, Athletes, Entertainers, and Other Public Figures, NAICS 7114, the 2018 starting count compared with the count of five-year-old establishments in 2023.

55.4%the year-five count as a share of the starting count

Five-year establishment continuation benchmarkLine chart of industry continuation, endpoints only: 55.4 percent at 5 years. 343 establishments first reported paid employment in 2018; BusinessNES calculation from Census BDS.100%75%50%25%0%2014-2018 cohort range: 40.5 to 55.4 percentStart: 100 percent, the starting count5 years: 55.4 percent of the starting count100.055.4Start5 years343 establishments first reported paid employment in 2018; BusinessNES calculation from Census BDS.
Five years on, this industry group counted about 55 establishments aged five for every 100 that first reported paid employment in 2018. The count does not fall every year in this group, so only the two endpoints are drawn rather than a line implying a steady path. Census compares counts by age rather than following the same businesses, so read it as a broad continuation indicator for the industry group, not as a tracked survival rate.

Across the 2014 to 2018 cohorts, five-year results ranged from 40.5 to 55.4 percent. This benchmark covers Agents and Managers for Artists, Athletes, Entertainers, and Other Public Figures, NAICS 7114, as a whole, and this category accounts for 4,921 of the 4,921 employer establishments in it. A count by age is not a survival rate, because the figures compare two headcounts rather than follow one set of businesses.

Payroll as a Share of Revenue Official data

Payroll divided by receipts, both as published for the same year.

MeasureValue
Annual payroll share of receipts, United States≈31%

Payroll share of receipts, Agents and Managers for Artists, Athletes, Entertainers, and Other Public Figures, United States, 2022 Economic Census.

Approximately 31.0 percent of every revenue dollar goes to annual payroll, a substantial share because agents, managers and their assistants are the business and the revenue is commission rather than the gross value of the deals they arrange.

Payroll here excludes benefits, employer taxes and owner compensation, and revenue here means commissions and fees, not the amounts paid to the clients represented, so the figure describes what an agency earns rather than what its talent earns.

Business Scale and Ownership Structure Official data

How large the average establishment is, and whether the population is independent operators or multi-site companies.

MeasureValue
Paid employees per employer establishment4.8
Employer establishments per firm1.03

Scale and ownership, Agents and Managers for Artists, Athletes, Entertainers, and Other Public Figures, United States, 2022 Economic Census.

The average establishment employed about 4.8 people, and the industry averaged 1.0 employer establishments per firm, which confirms that multi-establishment ownership exists in the published population without showing how establishments are distributed across firms. As an illustration, that headcount could be a small team of agents or managers with assistants.

These are arithmetic industry averages. They state the size of the average establishment and show that multi-establishment ownership exists. They do not show the distribution of business sizes and they do not measure market concentration.

Explore More on BusinessNES

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Data Source Notice

This product uses the Census Bureau Data API but is not endorsed or certified by the Census Bureau.

Figures above are from the 2022 Economic Census reference year, released by the Census Bureau in 2024 and 2025; markets have moved since.

Questions Worth Asking BusinessNES analysis

Talent Agency and Management Company: what commissions, rosters and licensing do to a small agency's average.

Before you rely on this benchmark

  • Agent or manager? Agents procure work and are licensed in some states and fields, while managers advise careers under different rules and commission structures. Both sit in this category, and the distinction shapes what an agency can do and charge.
  • Who is on the roster? An agency's revenue is a slice of its clients' earnings, so one star client can carry a small agency and one departure can hollow it out. Roster concentration is the central risk and is invisible in an average.
  • Which field? Sports agents, literary agents, modeling agencies and music managers work under different commission norms, union rules and seasons. The category blends fields whose economics differ widely.
  • Which licenses apply? Talent agency licensing, bonding and fee rules vary by state, and some fields have their own regulations for agents. Compliance depends on where and whom an agency represents.
  • How do deals get done? Bookings, endorsements and contracts depend on relationships with producers, teams, brands and casting professionals built over years. That network is the agency's real asset and appears nowhere in receipts.
  • How lumpy is the year? Commissions arrive when clients are paid, so a large contract or tour can make a year and a quiet season can undo it. Annual receipts flatten a revenue pattern that agencies feel deal by deal.

Sources and Methodology

Revenue, establishment counts, payroll, employment and firm counts on this page come from the 2022 Economic Census, Summary Statistics, published by the US Census Bureau. Averages and shares are BusinessNES calculations from those published totals, and each one names the two figures it divides.

The Census counts employer establishments, meaning each agency office with paid staff. Event promoters and modeling schools are counted in separate categories, and an agent working alone is not counted here.